Quality Ingredients
Traditional Methods
Zaika Potli exists at the intersection of art, energy, and environment — where
textile becomes more than surface, and space becomes more than function.
Each Vereluna piece is conceived as a living artifact — a sculptural expression of
emotion, mythology, and raw material. Designed not to blend in, but to command
attention, disrupt symmetry, and redefine what a space can feel like.
textile becomes more than surface, and space becomes more than function.
Each Vereluna piece is conceived as a living artifact — a sculptural expression of
emotion, mythology, and raw material. Designed not to blend in, but to command
attention, disrupt symmetry, and redefine what a space can feel like.
about us
Zaika potli
Every Vereluna piece begins with a core narrative — an emotion, an archetype, or a force.
From there, form is developed freely, without rigid geometry, allowing each piece to create its own presence.
Material becomes the medium.
Through wool, silk, and sculpted textures, surfaces gain depth, contrast, and movement.
Each design is layered with intention — balancing richness with control —
and evolves with light throughout the day.
Produced in limited series, every piece is created to hold rarity, integrity,
and lasting value.
The Founder
Hazel Bharadwaj
Founder & CEO
Founded by Hazel and Hazels, Zaika Potli is an expression of considered design, quiet power, and enduring craft.
It emerged from an observation — that while spaces are meticulously composed, they often lack a true center of gravity. Surfaces exist, but rarely command presence.
At Vereluna, the carpet is reimagined as territory. Not an accessory, but an assertion — anchoring energy, directing perception, and defining the atmosphere of a space, whether underfoot or elevated as art.
Each piece is conceived to transcend decoration. It does not recede into its surroundings, but reshapes them — establishing a focal point around which everything else finds its place.
Zaika Potli is not about filling a space.
It is about defining it.
It emerged from an observation — that while spaces are meticulously composed, they often lack a true center of gravity. Surfaces exist, but rarely command presence.
At Vereluna, the carpet is reimagined as territory. Not an accessory, but an assertion — anchoring energy, directing perception, and defining the atmosphere of a space, whether underfoot or elevated as art.
Each piece is conceived to transcend decoration. It does not recede into its surroundings, but reshapes them — establishing a focal point around which everything else finds its place.
Zaika Potli is not about filling a space.
It is about defining it.